Friday, September 26, 2008

Ghost Town

Most Americans are unfamiliar with the name Ricky Gervais. Maybe you’ve seen his name as a producer under NBC’s “The Office,” even though he created the original version. Maybe you’ve seen the Simpsons where Marge and Homer swap spouses on a reality show, which was written by Gervais.

Now he is thrust into his first leading role in a film, and the result is a movie that doesn’t quote know what to do with him.

Weapons in Gervais’ arsenal include the best comic timing on the planet, as well as the ability to be both irritating yet charming. He plays Bertram Pincus, a dentist who cares little for people and less for their trivial natures.

After a colonoscopy that leads to seven minutes of death, Pincus finds himself with ability to see and hear the ghosts that populate lower Manhattan.

The film operates under the “Casper Rules” of ghosts, that is they are ghosts because they have unfinished business. When they look to the one person who can actually hear them, Pincus becomes inundated with requests from these ghosts to help them.

The pushiest of these specters is played by Greg Kinnear, an adulterer in life who is damned to do nothing but play Tetris on his ghostly BlackBerry and watch as the wife he cheated on plans to get remarried.

He offers Pincus an offer he can’t refuse, respite from the other ghosts, and the plot is set in motion. The plot works well because Gervais is at his best when trying to extract himself from awkward situations, often of his own making. Imagine a man carrying on conversations with people only he can see, and you’ll appreciate the situations he finds himself in.

Gervais could hold a dialogue with a brick wall and make it funny, so when he’s bouncing his zingers off of people like Kinnear, SNL’s Kristen Wiig and others, the conversation crackles.
The film starts out looking like a new spin on the standard romantic comedy, but as the plot progresses, it quickly falls back into the standard mold.

In the process of breaking up her marriage, Pincus falls for Kinnear’s wife, played by Tea Leoni. As the independent, yet feminine woman, she is quickly able to penetrate Pincus’ shell, and he begins to fall for her.

As their relationship progresses, the movie becomes more and more formulaic, which slowly strips it of its charm. Gervais’ jokes are tossed under the rug, the rug being the standard story about the guy falling for girl, the guy has a secret, the girl gets upset when he reveals it.

Just before the movie falls completely into generic oblivion, the ending twists in a way that brings back its originality. Aside from the 20 minutes of schlock, it maintains its freshness.

There are quite a few moments that set the film apart from the standard romantic comedy. No spoilers here, but to watch a ghost try to encourage the man who is giving his recently deceased body CPR is a funny moment at what could be an awkward scene.

Overall, the movie is well worth seeing. If you appreciate the subtle nuances of awkward comedy, Gervais is your man. While the movie flirts with a cookie-cutter comedy, it is Gervais and his co-stars that are able to return it from the brink.

Rating - $9.00

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